Jan
25

Dec
04

suicideblonde: Anne Hathaway and Christian Bale during the filming of The Dark Knight Rises Christopher Nolan on Hathaway, and how she embodies his vision of Catwoman in The Dark Knight Rises, now out on video: “The thing that clicked for me was trying to build a credible character from the ground up, a classic femme fatale and grifter,” he says. “Anne can present a psychologically real characterization. And she can fill a room with her energy and presence. I told her that the character wears a lot of armor, in a sense, and has a strong way of dealing with the world, and that has to come from a defensive position.”

suicideblonde:

Anne Hathaway and Christian Bale during the filming of The Dark Knight Rises

Christopher Nolan on Hathaway, and how she embodies his vision of Catwoman in The Dark Knight Rises, now out on video: “The thing that clicked for me was trying to build a credible character from the ground up, a classic femme fatale and grifter,” he says. “Anne can present a psychologically real characterization. And she can fill a room with her energy and presence. I told her that the character wears a lot of armor, in a sense, and has a strong way of dealing with the world, and that has to come from a defensive position.”

Reblogged from suicideblonde

Nov
19

Oct
17

Where Everybody Knows Your Legacy … A classic photo from the new Brandon Tartikoff Legacy Collection, featuring Woody Harrelson and George Wendt having some fun at a Cheers wrap party, with Ted Danson singing in the background. The collection, which features thousands of pages of correspondence, will be unveiled Thursday evening at the USC School of Cinematic Arts.

Where Everybody Knows Your Legacy …

A classic photo from the new Brandon Tartikoff Legacy Collection, featuring Woody Harrelson and George Wendt having some fun at a Cheers wrap party, with Ted Danson singing in the background.

The collection, which features thousands of pages of correspondence, will be unveiled Thursday evening at the USC School of Cinematic Arts.

cinephilearchive: Never Before Seen Making of ‘The Empire Strikes Back’ Documentary Found. Earlier this month, we featured the launch of The Empire Strikes Back Uncut, a fan-driven attempt to re-create the most beloved Star Wars movie of them all. But for an insight into the creation of the original film, have a look at the Dutch television documentary above, The Making of The Empire Strikes Back (part one, part two). The broadcast focuses on the painstaking creation of the film’s special effects, most of which still hold up 32 years after audiences first glimpsed them. We see the models, the matte paintings, and even the phalanx of performers and technicians needed to execute the Norway-shot battle on the ice planet Hoth. It took $18 million, so producer Gary Kurtz tells us, to pull all of this off. Surely that seemed an extravagant, no-expense-spared figure in 1980, but today, in light of the profits, dedicated fanbase, and place in the zeitgeist, it sounds like a bargain.Alas, The Making of the Empire Strikes Back exists on the internet only in an incomplete form, but the story behind its rediscovery turns out to be interesting enough to compensate. Star Wars fan site mintinbox.net offers a detailed four-part article on this, “one of the most lost documentaries about The Empire Strikes Back.” Though directed by famed French “grand-reporter-cameraman” Michel Parbot, it fell into obscurity soon after its initial broadcast. But reading of the subsequent search for a distributable copy, we realize that we underestimate the completist ardor of the Star Wars fandom at our peril. A fascinating read indeed, but perhaps, like the MetaFilter commenter who could only exclaim “I HAVE SEEN A MAN IN A WAMPA SUIT,” you prefer simpler pleasures.

cinephilearchive:

Never Before Seen Making of ‘The Empire Strikes Back’ Documentary Found.

Earlier this month, we featured the launch of The Empire Strikes Back Uncut, a fan-driven attempt to re-create the most beloved Star Wars movie of them all. But for an insight into the creation of the original film, have a look at the Dutch television documentary above, The Making of The Empire Strikes Back (part one, part two). The broadcast focuses on the painstaking creation of the film’s special effects, most of which still hold up 32 years after audiences first glimpsed them. We see the models, the matte paintings, and even the phalanx of performers and technicians needed to execute the Norway-shot battle on the ice planet Hoth. It took $18 million, so producer Gary Kurtz tells us, to pull all of this off. Surely that seemed an extravagant, no-expense-spared figure in 1980, but today, in light of the profits, dedicated fanbase, and place in the zeitgeist, it sounds like a bargain.

Alas, The Making of the Empire Strikes Back exists on the internet only in an incomplete form, but the story behind its rediscovery turns out to be interesting enough to compensate. Star Wars fan site mintinbox.net offers a detailed four-part article on this, “one of the most lost documentaries about The Empire Strikes Back.” Though directed by famed French “grand-reporter-cameraman” Michel Parbot, it fell into obscurity soon after its initial broadcast. But reading of the subsequent search for a distributable copy, we realize that we underestimate the completist ardor of the Star Wars fandom at our peril. A fascinating read indeed, but perhaps, like the MetaFilter commenter who could only exclaim “I HAVE SEEN A MAN IN A WAMPA SUIT,” you prefer simpler pleasures.

Reblogged from cinephilearchive